Through intimate vignettes of vulnerability, tension, and fleeting joy, the film delves into the intricacies of navigating love when neither partner fully knows themselves. Intertwined with friendships and random occurrences the film offers up the conversation that love is not just bound to sexuality, identity and it can at it's core, be found through the soul.

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Eric Cameron chronicles the relationship between Star Wars Episode VIII: The Last Jedi and the quaint town of Dingle, Ireland where it was filmed.

Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and truth after discovering the woman who raised him isn't his mother.

A young man living alone in his attic, wishes to publish a book of his dreams. He records his dreams on a small tape recorder while he falls in and out of sleep. Then when he awakens, he writes of these dreams on paper. His dreams consist mainly of memories and recollections of his youth.

Mavis Davis has had enough! Younger son Eddie wears headphones all day and almost electrocutes her. Older boy Wally is gay and lives in a huge over-ripe banana. And her husband Roly has grown into a blind, motionless, emotionless vegetable. So pack the bags, Mavis is off on an around the world package trip leaving them all behind. However, when Dad finds out she has been joined by their hated next door neighbour long dead passions begin to stir. Blind, senile old Dad decides to chase his wife around the world...

Two losers who'll do anything to try and be successful in the Triad world, but all they've accomplished is having a bad luck reputation.

Jean-Yves Machond, a globally unknown and generally unhappy painter, decides one day to change his life. He seeks inspiration in a small Norman town, in order to design a masterpiece that will finally earn him glory and eternal recognition. But his meeting with local artists, from the warm Bagnoule to the skillful Cécile, will somewhat make him deviate from his path, and bring him face to face with his deepest dream: that of simply being a happy man.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.